The Exterminating Angel
A guide to the film that inspired Act II of Sondheim's Here We Are
The worst party guest is the one who won’t leave. Unless, of course, they can’t leave—a predicament that transforms Luis Buñuel’s The Exterminating Angel from social satire into existential horror.
[Please be aware that plot details for The Exterminating Angel, and therefore certain aspects of Here We Are’s second act, follow.]